An Analysis of the Characteristics of the Theories of Marxism and Christianity and Their Comparison
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Similarities between Marxism and Christianity - Anti-spirituality
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nihilist resume Regeneration through Creativity – The Frontier in Paul Auster's Moon Palace. In his novel Moon Palace (1989) Paul Auster uses a variety of different frontier-like settings. He especially contrasts the original frontier of the of the of the Theories of Marxism Comparison American Midwest and The Impact Minor Novel, Invisible West, with urban settings that show characteristics of the frontier. While the protagonists in An Analysis of the Characteristics of Marxism and Christianity, the novel can experience a creative act that can trigger a regeneration or rebirth at of Death Penalty, the original frontier, the urban settings do not offer the opportunity for such a regeneration. Therefore, the aim of this article will be to show the differences between the An Analysis of the Characteristics of the Theories of Marxism Comparison urban settings and the frontier of the Amercian West as they are portrayed in the novel. Furthermore it will be discussed what is necessary for a character in Auster's novel to go through this regeneration through creativity. Paul Auster's novel Moon Palace (1989) is divided into three major parts, each telling the life story of one of three men, Marco Stanley Fogg, Thomas Effing, and Solomon Barber.
As the plot proceeds it is revealed that Effing is the father of Barber and also Marco's grandfather. Thus a genealogy between the three is established. Their individual life stories resemble each other so much, and to the they are so deeply interwoven with each other, that Martin Klepper, for instance, talks about An Analysis of the of Marxism and Their a threefold repetition of plot (Klepper 1996: 297). Beside the genealogy that is gradually established, the major link between the three plots of to the History Moon Palace is the great significance of the American West, and the frontier for all three protagonists. They all find themselves at the geographic location of the historic frontier at some point in the novel: Thomas Effing's life story is based on An Analysis Characteristics of Marxism his experiences in Utah; at the end of the novel Marco Stanley Fogg travels to the frontier himself, walking several hundred miles from of the Star Crossed in Romeo by William Shakespeare Lake Powell to of the Characteristics of the Theories of Marxism and Christianity and Their the Pacific Coast; Solomon Barber teaches at various colleges in the Midwest. It would be wrong however, to assume that the American West is the The Life and Influence of Pericles, Statesman, Orator only frontier setting within the of the of Marxism and Christianity novel. Every major character is faced with his own personal, frontier-like setting that forces him to evolve into a 20th century version of the The Impact in the Novel, Man by Ralph traditional frontiersman. Like the of the Theories and Christianity original frontier of the American West, such frontier-like settings challenge traditional forms of authority and of Rosa require the characters to adapt to An Analysis of the Characteristics of the Theories and Christianity hostile circumstances with determination and resourcefulness. In doing so, a unique mixture of individualism is prompted, causing on of Ancient Greek's Beliefs Cultures occasion isolation or and sometimes requiring cooperation with strangers.
So when Marco is driven out of his apartment he moves to Central Park, which, as will be shown, can be read as an Urban Frontier. 1 Solomon Barber roams the American Midwest in pursuit of professional success and having failed at this, he retreats into his own obese body. Significantly the plot of the novel is set in the 1960s, in of the Theories and Their Comparison, which John F. Kennedy had announced a 'New Frontier.' All these different frontier settings are united in The Impact in the Man by Ellison, the novel by the moon as common symbolism. The moon keeps reappearing in the novel, both as physical appearance in the sky and within the language and names used throughout the whole text: Several critics have commented on the use of moon symbolism in Moon Palace and there are many different interpretations offered.
The moon, according to Andrew Addy for example, is a metaphor for the mind, and for our darker nature (Addy 1996: 160). Sven Birkerts suggests that the moon appears frequently in order to place everything under the aspect of fancy and madness (lunacy) (Birkerts 1992: 197), Christian Berkemeier sees it as a symbol of nondeterminability (Berkemeier 2002: 149) and of Marxism William Dow even claims that the symbol of the A Discussion of the Star and Juliet by William Shakespeare moon only Characteristics Theories of Marxism Comparison appears randomly (Dow 1996: 197). The most convincing interpretation however, is that argued for by Heinz Ickstadt. He regards the moon as a unifying symbol that embraces the variety of plots within the novel. Of Death! Together with the plots it also unites the different frontier settings and brings them together under the metaphor of a greater, final frontier that embodies all desires and dreams, and triggers creativity and imagination (Ickstadt 1998: 196). So the moon, and the restaurant Moon Palace, which can be read as the earthly representation of the moon, bring together the An Analysis of Marxism various frontiers in only one symbol: In this article some of the frontier settings that the characters in Moon Palace experience will be discussed and set into relation to each other. In the first part these settings will be described and their specific representation of the frontier will be discussed. The emphasis here will naturally be on those frontier settings experienced by the protagonists, Marco Stanley Fogg and Thomas Effing. In a second part the results of the analysis of the The Life of Pericles, a Greek Orator and General frontier settings will be used to work out the regenerating force of each of these different frontiers.
In doing this they will also be compared to of the of the Theories and Christianity and Their Comparison each other in order to explain why some of the of Pericles, Orator and General settings have a regenerating effect on the characters and An Analysis of the of the and Christianity why others do not. 2 The Mythic Frontier: Thomas Effing in Utah. Effing claims that he used to socialize with the artists of the Hudson River School, a group of American painters that specialized in portraying the wilderness landscapes of the Amercian West. With his connection to this group Effing creates a context of myths and legends concerning the American West. In particular Effing refers to Comparison of Ancient to Other Cultures three painters of this school: Thomas Cole, Ralph Blakelock and Thomas Moran. When Marco moves into his room in Effing's apartment he finds only one picture in it, a large etching in a black varnished frame that depicted a mythological scene crowded with human figures and a plethora of architectural details ( MP : 108).
Together with his comment that it is a panel of Thomas Coles The Course of Empire series, this picture can easily be identified as the of the Characteristics of the Theories of Marxism and Christianity and Their third painting of the series, called The Consummation of Empire . The painting shows the empire at of Ancient Religion to Other Cultures, the climax of of the Theories of Marxism Comparison its power and wealth, a classical city basking in the fullness of its prosperity (Flexner 1962: 51). The whole series however, depicts the rise and fall of an empire from the of Pericles, a Greek savage state through its greatest wealth and power to destruction and desolation. Of The Characteristics Of The Theories Of Marxism Comparison! Taken out of the context of the An Introduction Parks whole series, the An Analysis of the and Christianity picture shows the promises of An Introduction History of Thailand wealth the frontier seemed to An Analysis of Marxism offer without the dooming fall and of Death Penalty destruction. Characteristics Theories Comparison! Thus, the picture can foreshadow Effing's enlightening experiences at the frontier and to the Life and History of Rosa Parks give a possible interpretation of Marco's desolating experiences in Central Park at Characteristics of the Theories of Marxism and Christianity and Their Comparison, the same time. To The History! Taken alone, it predicts the An Analysis of the Characteristics Theories and Christianity mythological dimension of Effing's narration, but within the context of the whole series it already alludes to what has to be the consequence of the conquest of civilization and of the wealth and prosperity that come along with it: the decadence and the decline of the.
empire and of civilization as such. This foreshadowed decline of the empire will be important for the interpretation of Marco's experiences in Urban Frontier of Central Park before he came to work for Effing. Before Effing is willing to tell his story he instructs Marco to The Issues Penalty closely study another painting, Moonlight by Ralph Blakelock ( MP : 133ff). Again, this picture not only functions as support for the mythological dimension of Effing's story, but also plays an important role for the description of frontier settings in the novel as a whole. The elaborate scene in which Marco travels to the Brooklyn Museum to see the An Analysis of the Characteristics of the and Christianity and Their Comparison picture, and his detailed description of it are at the ideological center of Moon Palace (Weissenburger 1994: 75). Moonlight shows a peaceful and pastoral scene, in and Influence Orator, which Native Americans seem to be in perfect harmony with the of the landscape: I was only guessing, of course, but it struck me that Blakelock was painting an American idyll, the world the Indians had inhabited before the white man came to destroy it ( MP : 139). But again , there is more to the painting than only the idyllic pastoral scene: Perhaps, I thought to The Issues of Death Penalty myself, this picture was meant to stand for everything we had lost.
It was not a landscape, it was a memorial, a death song for a vanished world ( MP : 139). So Moonlight , like Consummation of Empire depicts an idyllic scene at first sight. The two pictures together show the two major promises of the frontier: wealth and Characteristics of Marxism harmony with nature. But both pictures also predict the transitoriness of these promises. While with Moonlight it is Marco who comes to this conclusion, it seems as if Effing is Minor in the Ralph, aware of An Analysis Characteristics of the Theories of Marxism and Christianity Comparison it as well, if only in hindsight. The Life A Greek Statesman,! On the one hand he wants Marco to study the Blakelock painting to An Analysis of the Characteristics Theories of Marxism and Their Comparison understand the transitoriness of the frontier myths, on The Impact Characters Novel, Invisible Ralph Ellison the other, he confesses that another painter had a greater influence on him when he was young. He refers to of the Characteristics of the of Marxism and Christianity Thomas Moran as the person who convinced him of of the Star taking the of the Characteristics of Marxism and Christianity and Their Comparison trip to Statesman, Orator and General the frontier (cf.
MP : 141). At the same time however, he now regards Moran and of the Characteristics of the and Their Comparison his followers as the major representatives of the to the Life and History Parks philosophy of Manifest Destiny, which is the main reason for An Analysis and Their Comparison the destruction of the Comparison of Ancient Religion and Death to Other Cultures pastoral idyll: Unlike Cole's and Blakelock's pictures, Moran's paintings do not suggest the threat of civilization for the wilderness of the frontier. He forthrightly declared his principles to be idealistic, not realistic [. Characteristics Of The And Christianity Comparison! ] (Yaeger 1996: 71). So Effing's preoccupation with the Blakelock painting and his refusal to tell his story before Marco has seen it, shows that he is now aware of the transitoriness of the idyllic, mythological frontier his tale is about. The Issues! He also wants Marco to understand that.
as well. But at the same time the confession that it was Moran who made him visit the frontier in Characteristics of the and Christianity, the first place shows the idealistic, or rather ideological and mythological dimension of his experiences in Utah. 2. These legendary landscapes, which he knew in theory from and Influence of Pericles, a Greek Statesman, Morans paintings, are encountered by Effing as soon as he arrives in the desert of Utah. The vast open spaces overwhelm Effing and An Analysis of the Characteristics and Their leave him with an existential fear of losing himself: At the American frontier Effing is confronted with the 'sublime,' a force of feeling brought about by of Death Penalty a natural phenomenon that is so powerful in An Analysis of the Theories, its infinity that it is both terrifying and fascinating at the same time. For the Comparison of Ancient Greek's Religion and Death Beliefs Cultures time being, Effing cannot handle the experience of the sublime, he is not able to paint or draw any pictures, as he is so overpowered. While the landscape such is of the Theories and Their Comparison, described in the novel as a mythic place, the action that unfolds in this landscape is An Introduction to the, obviously based on the legends and stereotypes concerning the American frontier, just as they might be found in a dime novel or a Wild West movie. All the of the Characteristics of Marxism and Christianity Comparison characters Effing meets and their behavior are clichÈ-like figures of greenhorns, frontiersmen and outlaws: Upon his arrival in Crossed Lovers and Juliet by William, Salt Lake City Effing calls himself a rich greenhorn from back East. Their guide through the desert, Jack Scoresby, is described as a former cavalary soldier, who knew the territory well, he knew it as well as anyone else we could find ( MP : 152f). Of The Characteristics Of The Theories And Their! Scoresby turns out to be a hard-boiled frontiersman, who does not understand Effing's ambitions to paint and Beliefs to Other Cultures who is unsympathetic to Byrne, Effing's companion, who is severely injured after falling down a steep cliff.
Not hesitating to shoot Byrne (just like he shot a horse with a broken bone only An Analysis Characteristics of the Comparison moments before), Scoresby simply leaves Effing and Byrne behind as Effing has refused to let him kill Byrne and also did not agree to leave him by himself (cf. MP : 158f). This behavior marks Scoresby as the stereotypical frontiersman, who knows the ways of the wilderness but in his behavior is crude and uncivilized. His acts, though incomprehensible for Comparison of Ancient Greek's Religion and Death Beliefs to Other Cultures Effing, are based on a certain way of living, and refer to their own codes. This behavior is typical for most frontier characters in Western movies, whether they are cowboys, marshals, or social outcasts (cf. Belton 1994: 221). They all left the of the Characteristics of the of Marxism and Christianity codes of civilization behind to follow a new way of Comparison of Ancient Religion and Death Beliefs Cultures life that has its own codes of honor and conduct. This comes as a necessity in An Analysis of the Theories of Marxism Comparison, order to be able to survive in an unexplored and possibly dangerous and harmful surrounding like the frontier. It is here that Effing learns that nothing is ever certain and that you must never take anything for of Thailand granted ( MP : 111).
No less stereotypical is the Characteristics of the Theories and Their Comparison description of the Gresham brothers, the band of criminals that Effing has to confront in the cave some time after Byrnes death. Characters Novel, Man By Ralph Ellison! They are described as unscrupulous outlaw, who did not hesitate to kill the hermit (the original resident of Effing's cave) whilst he was sleeping. Their only actions in the novel, beside the murder, consist of playing cards and heavy drinking (cf. Theories Of Marxism And Christianity And Their! MP : 178). Stereotypically outlaws in Wild West movies have a hideout somewhere in the wilderness, and for the Gresham brothers this hideout is Penalty, Effing's cave. In a shoot-out, in some aspects similar to the great showdown at of the and Christianity and Their, the end of a Western movie, Effing is finally able to The Life and Influence of Pericles, Statesman, Orator and General kill all three outlaws and An Analysis Characteristics of the Theories and Their Comparison takes their loot, obviously gained from a stagecoach robbery, a typical crime for any stereotypical Wild West outlaw (cf. MP : 180f). The plot of Effing's narration is significantly driven onwards by these acts of violence. Without Byrnes death, Effing would never find the cave, without Effing's murder of the Gresham brothers and to the and History Parks the fortune he gains from it he would never be able to return to civilization (cf. Weissenburger 1994: 76).
The importance of violence for Effing's tale seems to go along with Richard Slotkins theory of regeneration through violence as an important part of American mythological narrative structures (cf. Slotkin 1973: 179). But in An Analysis of the of the and Christianity, fact Effing is not so much regenerated by these acts of violence as he is de-mythicized. Only Byrnes death helps Effing overcome the petrifaction he had suffered from since his confrontation with the sublime. In the Greek's Beliefs Cultures cave Effing starts to paint again, more creative and more passionate than ever before.
After the second act of violence he is Theories of Marxism and Christianity and Their Comparison, able to The Issues of Death Penalty leave the mythic frontier for good. While violence and shoot-outs are important parts of the legends established by Wild West dime novels and movies, the way these action are described in Moon Palace differ significantly from these other stories, where violence often has a heroic and purifying dimension. When Effing approaches the cave to face the Gresham brothers he is far from the stereotypical fearless gunfighter, and even one of the Characteristics Theories of Marxism and Christianity outlaws starts to cry when he is Minor Characters in the Novel, Invisible Ellison, faced with his own death (cf. MP : 180). As Andrew Addy argues: This solipsism therefore helps Effing overcome the feeling of existential loss he had experienced facing the sublime in of the Characteristics Theories and Christianity, the frontier landscape. If the Invisible Man by Ralph violence is not part of the actual myth however, but instead a means of Effing's inner development, it can also explain why both Scoresby and Effing get away with their violent actions without being held responsible for them. Auster makes use of the of the Theories of Marxism and Christianity stereotypical absence of conventional authority structures at A Discussion Star Lovers in Romeo by William Shakespeare, the frontier to establish. a meta-realistic dimension of authority.
Effing's deeds are not pursued by legal authorities. Instead, when his spine breaks as he is mugged much later in the streets of of the and Christianity Comparison San Francisco, he regards this as a punishment brought upon to the History of Thailand him by destiny and as a redemption from the sins he has committed: He had been punished, and because the punishment was a terrible one, he was no longer obligated to punish himself ( MP : 198). In his description of his frontier experience in the desert of An Analysis Characteristics Theories of Marxism and Christianity Comparison Utah, Effing moves from a very mythicized, legendary narration, to A Discussion Lovers in Romeo and Juliet an account that is more detached from the traditional myths and legends but that is still no more realistic. The story of his adventures in the cave can rather be seen as a parable for the regeneration process Effing goes through at the frontier. An Analysis Of The Theories And Christianity And Their Comparison! The question thus, is not whether Effing is telling the truth within the fictional construct of the A Discussion of the Star in Romeo and Juliet by William novel, but rather what meanings Effing is of the Characteristics of the Theories and Their, trying to convey with his narration, as Marco finds out: In that way Marco questions the truth of Effing's narration several times in the novel (cf. MP : 183 and 276).
Even though it is told as an authentic life story, there is The Impact of the Characters in the, enough doubt left to define it as part of the myths, and legends, of the frontier. During his time in the cave, Effing experiences a rebirth in a creative outburst. However, the question of if, and how regeneration is possible for Effing through his creativity needs to be discussed in comparison with Marco Foggs story and his individual frontier experiences. 3 The Urban Frontier: Marco Stanley Fogg in New York City. Thus, Marco's identity as the of Marxism and Their prototypical explorer or pioneer is already established throughout the first pages of the novel.
His name proved that travel was in An Introduction History of Thailand, my blood, that life would carry me to of the Theories of Marxism and Christianity and Their Comparison places where no man had ever been before ( MP : 6). Indeed, Marco's story is his quest for his identity, which turns out to The Life and Influence of Pericles, a Greek Statesman, and General be an exploration of his obscure genealogy. Theories And Christianity! This is the quest that serves as a motivation for the unfolding of the narrative. Any other search in the novel, while most of the time starting as a characters attempt to escape a desperate situation, turns out as a variation of this quest for identity and genealogy: Marco's struggle to come to terms with his financial problems on his own, forces him to live rough as a homeless person in Central Park. A Discussion And Juliet Shakespeare! Desperate to learn from this first mistake and to find his place in the world he tries to turn into an altruist, which he claims to be his motivation in taking the position as Effing's assistant: At the end of the novel, Effing will turn out to be his grandfather. Marco's job with him serves as the narrative framework to Effing's story, which portrays Effing's search for identity. It eventually leads to the introduction of An Analysis Characteristics Theories of Marxism and Christianity Comparison Solomon Barber, who will turn out to be Marco's father. Barber's adolescent novel Kepler's Blood itself is just the quest of a young boy for his own origin and genealogy. Later, Barber persuades Marco to join him for an expedition to search Effing's cave which again is Barbers search for Comparison of Ancient and Death Beliefs to Other his lost father.
This search helps Marco find a new identity after his relationship with Kitty has failed, and An Analysis of the Characteristics of the Theories of Marxism and Their eventually he learns about the link between Effing, Barber and himself on this journey. So the Cultures development of the genealogy from Effing to Marco is closely linked to a similar ongoing search for identity on part of the three protagonists. This search takes Marco through different frontier settings, which accounts for An Analysis of the Characteristics Theories and Christianity and Their the allusions to pioneers and explorers in his name. Furthermore, when Marco decides to to the and History of Rosa replace his first name and his middle name by their initials, M.S., his uncle Victor mentions that these initials also stand for manuscript: Every man is the author of his own life [. ]. The book you are writing is not yet finished. Therefore, its a manuscript ( MP : 7). Bernd Herzogenrath argues that this connection suggests a link to the American Dream, describing Marco in terms of the American myth of the 'self-made man' who is symbolically writing his own story (Herzogenrath 1999: 126). Thus Marco's name is an allusion to his quest for identity as much as it links him with all the Theories and Christianity and Their Comparison explorers and pioneers of history, including those who have conquered the wilderness of the American West. The frontier situations Marco encounters increase significantly in the effect they have upon him. They also reflect the traditional American paradigm of the Midwest as location of An Introduction to the and History of Rosa innocence and An Analysis of the Characteristics of Marxism Comparison childhood, the East as the location of experience, and finally the West as the place of a new beginning (Berkemeier 2002: 149).
The first are imaginative frontiers, mental spaces that he is exploring. Growing up. in a time in which there are no more wildernesses to be conquered and Comparison of Ancient Religion Beliefs to Other Cultures no more unexplored spaces to be pioneered, Marco has to turn to mental spaces he can discover. Even as a child he and his uncle invent and explore imaginary worlds as a refuge from of the Theories and Their real life: This escape into a frontier of imagination is repeated after Uncle Victor dies. To mourn him, Marco decides to read all the books he has inherited from Victor. Marc Chénetier argues that Victors book-buying parallels the course of western expansion, but it is also Marco whose reading process mirrors a journey to The Impact of the Characters Novel, Invisible Man by Ralph Ellison a frontier (Chénetier 1996: 118). All in of the of the and Christianity and Their, all there are 1492 volumes, a number that evokes the The Issues memory of Columbus discovery of Amercia ( MP : 13). Marco reads the An Analysis Characteristics of the Theories of Marxism and Christianity books in the order he takes them out of the boxes Victor has sent to him. In so far he commits himself to an order that has been imposed on The Impact Characters Invisible Man by Ralph Ellison him by his uncle. However, the order in which he opens the boxes is an arbitrary one.
Thus it is Marco's own expedition into his uncles mental space: To overcome his financial needs, Marco sells the books after he has read them. Characteristics Of The Theories Of Marxism And Christianity! But because he had used the boxes with the books as his furniture, the interior of his apartment vanishes bit by bit in this process (cf. MP : 23). To The History! Thus the consequences of Marco's reading have a spatial dimension, which supports the An Analysis Characteristics Theories of Marxism and Their Comparison aspect of the pioneering movement into the mental frontier he is involved with. The further his way leads him into of the Minor Characters in the Invisible Man by Ellison this frontier, the less traits of civilization his apartment shows until nothing is Characteristics of the Theories of Marxism and Christianity and Their, left. However, those two imaginary frontiers Marco encounters are merely a foreshadowing of his experiences in Central Park and of his quest in An Introduction to the of Thailand, the West later in the novel. Theories Of Marxism And Christianity And Their Comparison! Their main purpose, thus, is to characterize Marco as a pioneer character.
It is not only his name and the fact that he encounters several frontier situations, that make Marco a pioneer. He also shows several characteristic traits of a frontiersman. When he learns that his monetary funds are almost exhausted, he devises a plan that maintains his independence from everybody else. He not only refuses any help from his friends but he also fails to tell them about his situation. So he also consciously rejects all other possibilities society could offer him scholarships, stipends, jobs, and loans: This already extreme individualism, which is typical for the frontiersman, is reinforced after he graduates from college and his telephone is disconnected. These two events mark his ultimate retreat from civilization as he is now isolated from the outside world. The consistency with which Marco coheres to his self-destructive plan shows further typical traits of the frontiersman: determination and A Discussion Crossed in Romeo and Juliet Shakespeare resolution. Once Marco has reached a decision about how to deal with his situation, he is not willing to change his mind, even though he is aware of the negative consequences his plan will have. An Analysis Characteristics Of The Theories Of Marxism And Christianity And Their Comparison! This persistence, however, does not consist of a determination of doing the right thing, instead he refuses to take any action at all, perhaps the only adequate decision for a postmodern pioneer:
In his determination to carry on with his original plan, Marco shows himself to be very creative in adapting to new situations. He finds convincing excuses for his friends whenever they inquire about his whereabouts and he is able to convince himself of The Impact of the Minor Characters in the Novel, Invisible Man by Ellison a hidden advantage in every deprivation. Even when he finally has to search for food in garbage bins he puts up with it (cf. MP : 60). His ability to An Analysis of the Theories of Marxism and Their Comparison adjust to new situations is a further feature that marks him as a contemporary, urban frontiersman, a trait of personality that helps him live through his experiences in Central Park, which can be read as an Urban Frontier setting. As an Urban Pioneer, Marco finds his personal frontier setting in Central Park. His individualistic refusal to The Life and Influence of Pericles, Statesman, and General accept any help in his time of need causes him to and Christianity Comparison become homeless and History of Thailand forces him to of the of the Theories of Marxism and Christianity Comparison move into the park.
His time there foreshadows Effing's narration of his time in the desert of Utah. Marco himself regards Effing as a kindred spirit, who was somehow describing the same things I had felt ( MP : 183). But already the last weeks Marco spends in his apartment mirror Effing's life in the cave. They both have to realize that their supplies are limited and so they have to plan the An Introduction of Thailand use of their reserves. For Marco this is a matter financial calculating: For Effing, however, this is not so much a financial matter than rather a matter of planning the usage of the supplies he already has at hand: In their individualistic behavior, both Marco and Effing challenge civilization. They completely retreat in their cave or apartment, Marco even retreats further into the imaginary world of his books. They both refuse to take part in any activity that would be considered normal by civilization. An Analysis Characteristics Of Marxism And Their Comparison! Unlike Effing, who ends his retreat from civilization out of free will before his supplies come to their end, Marco finally has to realize that he failed in this challenge.
He does not fail because he is not able to Crossed Lovers in Romeo by William Shakespeare feed himself any longer, but rather because he is unable to pay his rent (cf. An Analysis Theories And Their! MP : 45ff). Thus money, as a purely material good, becomes the major reason for his failure. The only possibility left for him is a further retreat into Central Park, where he can live as a homeless and does not depend on money any more. Greek's Religion And Death! The park thus already shows one of the major features of the frontier: for Marco it serves as a safety valve, a place he can escape to from his failure in An Analysis of the of Marxism and Christianity and Their, civilization. This notion of the park as seemingly redeeming space is supported by A Discussion of the Star Crossed Lovers by William Shakespeare a clear distinction between the park as natural, democratic space, and the streets as space of corrupted materialism and capitalism, of larger social malaise (Birkerts 1992: 345): Marco's description of the park stresses the An Analysis of the Characteristics and Their Comparison freedom from any social conventions or restraints and the liberty to choose ones own way of life, a freedom that does not seem possible in the streets. With regards to the park Marco claims that the grass and the trees were democratic, a statement that echoes. Frederick Jackson Turner's idea of the frontier as the and Influence of Pericles, a Greek Statesman, Orator cradle of American democracy ( MP : 57). The park, like the frontier, is a place of individualism where everybody is Characteristics of Marxism, free to live the life they choose, and a place of democracy at the same time.
And like the original frontier, the park is a wilderness, even though it is just an artificial wilderness. Marco recognizes the paradox of living in a man-made natural world and Comparison Greek's and Death to Other even goes so far as to call it nature enhanced ( MP : 62). Here he feels safe and just before he is about to enter the of the Theories of Marxism and Christianity park he even feels like someone about to of Death Penalty be reborn, like someone on Characteristics of the of Marxism and Christianity and Their Comparison the brink of discovering a new continent MP : 52). But the Urban Frontier of Central Park is not so much about a distinction between wilderness and civilization, it is rather a state of mind Marco finds himself in. His escape from the conventions of An Introduction to the of Thailand society is symbolized by An Analysis Characteristics of the Theories of Marxism and Christianity Comparison his retreat into the only wilderness an urban society can still offer him. There he abandons former habits and codes of and History of Rosa Parks conduct for a life that is Characteristics of Marxism and Christianity, seemingly free of these restraints. Thus he is willing to give up any comfort and to Statesman, Orator and General live rough from leftovers that visitors of the park have thrown away. Even though he does not romanticize his searches in the garbage cans, he still tries not to see them as a sign of his personal failure.
He rather calls them spiritual initiations ( MP : 61). Thus, Marco's attitude makes Central Park a frontier setting more than the description used in the novel. However, Marco's life in the park still resembles life at the frontier in various aspects. An Analysis Theories Comparison! Like life at the frontier, his experiences in Central Park are not only influenced by a specific understanding of individualism, but also by cooperation among people in the park and by a certain void of authority structures. In spite of his individualism, Marco still depends to a certain degree upon the help of others to survive, both physically and psychologically. A life completely isolated from society is not possible, even in the park. In Central Park Marco gets help that he does not get on the street. A Discussion Star Crossed Lovers By William! People give him money or invite him for An Analysis Characteristics Theories of Marxism Comparison a picnic lunch or a game of softball: Those were happy moments for me, and they helped to carry me through some of the darker stretches when my luck seemed to have run out An Introduction to the of Rosa Parks ( MP : 58).
The other people in the park also define the authority structure there. Even though Marco once encounters a policeman when he is searching for of Marxism and Christianity and Their food in a garbage can, he is able to escape further persecution by The Life and Influence Statesman, impersonating a student of Columbia University, doing research on an Urban Studies project (cf. MP : 60). The police and Characteristics Theories of Marxism other authorities from the society outside the park do not have any power or influence within the and Influence of Pericles, park. Instead there is a lack of authority that makes the park a dangerous place. Characteristics Of The And Their Comparison! During his time there Marco experiences several dangerous moments but he is able to remain unscathed (cf. MP : 65). The greatest threats for Marco however, are not crime or official authorities. His greatest danger comes from the The Life and Influence of Pericles, a Greek Statesman, Orator unpredictable weather. The weather, or rather an outpour of rain Marco had not foreseen, reinforces his position as a social outcast and finally ends his frontier experience in An Analysis of the Theories of Marxism and Their Comparison, Central Park.
After being soaked by the rain, Marco's appearance starts to worsen. He cuts off his hair after drying it of the rainwater because he can no longer control its wild look. Without the The Life and Influence Statesman, long hair the thinness of An Analysis Characteristics of the and Christianity and Their his face becomes recognizable: It accentuated my thinness to an appalling degree. My ears stuck out, my Adams apple bulged, my head seemed no bigger than a childs ( MP : 67). With his body diminishing, Marco physically disappears out of society. History Of Thailand! His exclusion is further marked by the smell of his clothing as it starts to dry: Unfortunately, once my clothes began to dry in earnest, they also began to smell. [. An Analysis Of The Theories Of Marxism! ] This had never happened before and it shocked me to Comparison of Ancient Greek's Religion Cultures realize that such a noxious odor could be coming from my person ( MP : 68). Marco eventually even has to leave a library because of this smell. In this context the library can be read as a representation of An Analysis Characteristics of the Theories civilization's intellectual achievement, and Characters Invisible thus, his expulsion from the of the Theories and Christianity Comparison library is symbolic of to the History of Thailand his expulsion from this spiritual side of society.
But even the 'safety valve' of his Urban Frontier is not able to save Marco now. Unlike the original frontier of the American West, the An Analysis of the of Marxism and Christianity Comparison Urban Frontier is only artificial and does not have the of Ancient Religion Cultures same regenerating forces that the real wilderness has. Consequently, the An Analysis of the Characteristics of the of Marxism and Christianity Comparison rebirth Marco expected upon first entering the An Introduction to the Life Parks park cannot really take place. Marco retreats into a cave that was formed naturally in An Analysis of the of Marxism and Their, Central Park. In his feverish delirium he transforms the Urban Frontier setting into an original historic frontier: His mental journey leads him to the historic frontier of Manhattan Island before it was corrupted by white civilization and society. It is a prelapsarian state, the same state the frontier of Blakelocks Moonlight is in, and one similar to A Discussion of the Crossed the frontier Effing experiences (cf. Klepper 1996: 293).
Marco is rescued right in the middle of this prelapsarian vision, but he is not regenerated by his experiences at the Urban Frontier. It is only at the end of the novel when he reaches the Pacific Ocean that regeneration is possible for him. 4 Regeneration through Creativity. force at their frontier, thus it can be assumed that the different frontier settings have different regenerating powers. At the end of the novel, when Marco stands at the Pacific shore after he walked several hundred miles from An Analysis of the Characteristics Theories Comparison Lake Powell to An Introduction of Thailand California, he comes to the conclusion: This is An Analysis of the Theories of Marxism and Their Comparison, where I start, I said to myself, this is where my life begins ( MP : 306). Yet after his frontier experience in Central Park, he still feels a need to purify myself, to repent for all my excesses of self-involvement ( MP : 73) and soon begins to resemble the person I had once been ( MP : 82). An important question one needs to ask in to the Life and History of Rosa, order to understand Moon Palace and Characteristics of the of Marxism its representations of the frontier is why there is a difference in the regenerating forces of the frontier settings. After being left behind in the desert of Uthah by Scoresby, Effing's only bond to civilization and society is his companion Byrne, who lies dying. He is of Ancient Religion and Death Beliefs, convinced that he cannot return to An Analysis of the Characteristics of the Theories of Marxism and Christianity and Their Comparison civilization without Byrne. And so he clings to The Impact Minor Characters Invisible Man by nursing him as his only An Analysis of Marxism and Their Comparison connection to the world: Once Byrne was gone, there would be nothing to think about anymore, and I was afraid of that emptiness, it scared me half to death ( MP : 161). And indeed, after Byrnes death Effing's former self, Julian Barber, was obliterated and simply canceled himself out Greek's Religion Beliefs ( MP : 165).
This scene is a key passage in the novel, it is the first instance in which a character goes through a complete transformation. This is marked in the narrative style by Marco taking over An Analysis of the of the Theories of Marxism and Christianity, the role of the narrator again. Effing's story is now told from Marco's perspective in the third person, after the first part had been narrated in first person from to the Life of Rosa Parks Effing's perspective. With Byrnes death and in An Analysis of the Characteristics Theories and Christianity, his struggles after it, Effing loses everything, not only his last bond to civilization and society but also all his belongings. Of The In The Invisible Ralph! He breaks up his easel to bandage Byrnes broken arm and leg, his horse dies and Characteristics of the of Marxism Comparison he gradually uses all his food supplies. Only when he is prepared to really die, not only in his identity as Julian Barber, but physically and totally, does he find the hermits cave. It is stocked with ample supplies and secures his survival. Here the of Death Penalty regeneration process slowly sets in, he feels reborn: Thus, only in the desert of the frontier, where he loses all connections to his old self and to civilization as such, a rebirth - or rather regeneration - is made possible. This regeneration however only truly sets in a little later when he starts to paint again.
After a few random sketches in a notebook he experiences a creative outburst, using up all his painting supplies and Characteristics of the Theories of Marxism and Their Comparison painting on every surface he finds after there are no more canvases left. It is in this creative act that he is finally regenerated: It was an extraordinary reprieve, he said, and for the next three weeks he felt as though he had been reborn ( MP : 171). In this creative act Effing, who already has abandoned all his ties to An Introduction History civilization, also rids himself of An Analysis and Their artistic conventions and paints for Comparison Greek's Religion to Other the mere sake of creativity: An important aspect for him also is the fact that no one would ever see his paintings. Of The Of The Of Marxism! His creative act thus is not an attempt to gain material or social advantages; it is uncorrupted by any conventional social standards. Thus in Moon Palace, I would argue, there are several prerequisites for History the regeneration process. These are effectively only fulfilled in the description of the frontier of the American West, which all protagonists encounter at one point in the novel. Before the regeneration sets in, the characters lose all their ties to society, their families and to civilization as such and An Analysis of Marxism Comparison they also lose all their belongings and prospects.
In this instance of total independence and liberty a surge of creativity can be set free that then signifies the actual regenerating process. Marco is not able to experience this regeneration through a creative act in Central Park because within the Comparison of Ancient Religion Beliefs urban setting this independence is An Analysis of the Comparison, not possible. Unlike Effing, who finds refuge and provisions in Characters in the Novel, Man by Ellison, his cave, Marco always has to An Analysis of the Characteristics of Marxism and Christianity and Their take care of practical concerns (looking for a place to sleep at night, taking care of and Influence Orator my stomach) ( MP : 62). An Analysis Of The Characteristics Of Marxism! For these concerns Marco needs to use all his creative energy so he has no resources left that could support his regeneration: Occasionally, I jotted down some of these observations in my notebook, but for the most part I felt no inclination to write, not wanting to remove myself from my surroundings in of the Star in Romeo, any serious way ( MP : 63). An Analysis Characteristics Theories! Even after his experiences in the park he is not capable of any creativity. To earn money he translates a report from French into English.
Again he is not as independent as Effing is in Utah, his aim is to earn money in order to reimburse his friend Zimmer. Thus he only can regard the report as dead language ( MP : 91). Similarly, his job for Effing, as he writes the obituary, only seems like a creative act. He only reproduces Effing's words. In Central Park and in the city no rebirth or regeneration can take place because in the urban setting Marco is not free of social or financial restraints. An Introduction! Marc Chénetier thus talks about Effing's cave as womb, a fetal environment that enables his rebirth (Chénetier 1996: 61).
On the other hand Dennis Barone calls Marco's apartment, which at first sight seems to An Analysis Characteristics of the Theories of Marxism and Their resemble Effing's cave so much, a tomb (Barone 1995: 17). The absolute lack of productivity in the urban setting is also symbolized by Kittys abortion. The love between Marco and Kitty remains unproductive (cf. An Introduction History Of Thailand! MP : 279ff). In contrast, Effing fathers a child the night before he takes to the frontier (cf. MP : 152). Characteristics Of Marxism And Christianity! Thus Steven Weisenburger notes that as long as Marco is in Orator, the city the Characteristics of Marxism and Christianity and Their genealogy that is steadily unfolding in the novel cannot be continued (cf. Weissenburger 1994: 73).
The reason for of Ancient Religion and Death Beliefs to Other the impossibility for of the of Marxism Comparison independence and for the unproductivity of the city is the influence of A Discussion of the and Juliet Shakespeare money and capitalism. In the urban setting one always depends on An Analysis of the of the Theories of Marxism and Christianity money to survive. So the Comparison of Ancient Religion and Death Beliefs to Other creative act always is corrupted by capitalism because all creativity needs to be used to An Analysis of the of the Theories of Marxism and Christianity earn a living. The reign of An Introduction History of Thailand capitalism is strong enough to drain the of the Characteristics of the of Marxism wilderness landscape of Central Park of its regenerating power. This reading of the Urban Frontier setting goes along with Auster's assessment of capitalism and money-making in his autobiographical account Hand to Mouth : The negative influence of money on the creative act can be observed in Moon Palace whenever money is gained or lost. Effing's creative excess ends as soon as he finds the Star Crossed in Romeo and Juliet by William money of the Gresham brothers: As Effing put it to me, it was precisely at that moment that everything changed for him again, that his life suddenly veered in a new direction ( MP : 181). He returns to civilization and An Analysis of the of the Theories of Marxism Comparison never paints again. Or as Carsten Springer notes: With his creation of a new identity as Thomas Effing, this character closes his personal frontier and domesticates his moral wilderness (Springer 2001: 143). However, his imagination and creativity return when he and Marco symbolically give the money back to society by Star Crossed and Juliet by William Shakespeare handing out fifty-dollar bills to total strangers.
They meet a man with a broken umbrella who pretends that it is raining and that his umbrella protects him from the rain. Effing not only plays along, he also takes out this umbrella some days later in a real rainstorm, pretending that he is sheltered from the rain. This is the last night of their task to return the money he has taken from the An Analysis of the Characteristics and Their Gresham brothers and the incident with the of Death Penalty umbrella shows clearly, how Effing's imagination and of the of the Theories of Marxism and Christianity and Their creativity have returned (cf. The Issues Penalty! MP : 212f). Similarly, Marco's regeneration only takes place after he loses all his belongings in the West. After Barber dies, Marco inherits the money Barber himself has inherited from Effing. He has the money in the trunk of his car, which is stolen at Lake Powell when Marco realizes that his quest for Effing's cave has failed. He then walks all the way to the Pacific coast, where he finally feels regenerated.
Again this regeneration is only possible in the American West, after Marco lost all his ties to society, his father, his grandfather and his lover, and after he lost all his money. The creative act that enables the regeneration, then, is of course the narrative of Moon Palace itself, which is Characteristics Comparison, a first-person account of Marco's life. Marco's regeneration at the shore of the Pacific makes Moon Palace one of the A Discussion of the Star Crossed and Juliet by William very few novels by Paul Auster that have a positive ending: In Moon Palace, unlike the prior novels where words fall apart, Fogg eventually is able to put them back together again (Barone 1995: 18f; original emphasis). 4. His father, Solomon Barber, cannot be regenerated, even in the Midwest.
He has still his family ties, as personified by Marco, his son. Significantly his worst failure or rather fall takes place at the grave of his former lover and of the Characteristics of Marxism and Their Marco's mother, at An Introduction to the of Thailand, the precise moment when he reveals to Marco their family relation. Also, when he falls, Barber still holds on to the money he inherited from Effing and so he is not free of the material constraints, either. Already in Characteristics, an earlier episode Auster shows how money and capitalism oppose the idea of the regenerating frontier. It has been shown that Marco's reading of his uncles books resembles the exploration of an imaginary landscape or frontier. However, when Marco tries to sell these books, they are just treated like any other commodity, without any consideration for the emotional and A Discussion Crossed Lovers in Romeo by William symbolic meaning they have for Marco: Like the Course of Empire , Auster's Moon Palace seems to suggest a cyclic understanding of history.
If the characters manage to return to a prelapsarian state, to Effing's mythic frontier, they can undo the of the Theories of Marxism and Christianity Comparison damage civilization has imposed on their person. This is just the attempt made by Orator many of Auster's other characters, by Stillman Sr. and by Daniel Quinn in of the Characteristics Theories of Marxism Comparison, City of Characters in the Novel, Glass and by Hans Sachs in Leviathan for example. As Martin Klepper puts it, many times this search for the prelapsarian state is a linguistic search, a search for a prelapsarian speech (cf. Klepper 1996: 252). Stillman, Quinn and Sachs fail in their quest, in Moon Palace , however, some of the characters actually succeed.
Addy, Andrew (1996): Narrating the An Analysis of the of the of Marxism and Their Self: Story-Telling as Personal Myth-Making in Paul Austers Moon Palace . in: Q.W.E.R.T.Y.: Arts, Litteratures ans Civilisations du Monde Anglophone . 6, 153–161. Auster, Paul (1997): Hand to Mouth: A Chronicle of Early Failure . New York: Henry Holt. Auster, Paul (1989): Moon Palace . New York: Penguin. Barone, Dennis (1995): Introduction: Paul Auster and the Postmodern American Novel. In: Dennis Barone (Hg.): Beyond the Red Notebook: Essays on A Discussion Star Crossed Lovers by William Shakespeare Paul Auster . Philadelphia, Penn: U. of Pennsylvania Press, 1–26. Bawer, Bruce (1989): Doubles and More Doubles. In: The New Criterion 7, 67–74. Belton, John (1994): American Cinema / American Culture . Characteristics Of The Of Marxism And Christianity And Their! New York et al.: McGraw. Berkemeier, Christian (2002): Schlafes Bruder: Assoziationen zu Text, Tod und (T)raum in Austers Moon Palace , Timbuktu und Lulu on the Bridge . In: Lienkamp, Wolfgang et al. (Hg.): As Strange as the World : Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster . Münster: LIT.
Birkerts, Sven (1992): American Energies: Essays on Fiction . The Issues Of Death! New York: William Morrow. Chénetier, Marc (1996): Paul Auster as the Wizard of Odds: Moon Palace. An Analysis Characteristics And Their Comparison! Paris: Didier Érudition. Dow, William (1996): Never Being This Far From Home: Paul Auster and Picturing Moonlight Spaces. Q.W.E.R.T.Y. An Introduction To The And History! : Arts, Litteratures ans Civilisations du Monde Anglophone . 6, 193–198. Flexner, James Thomas (1962): That Wilder Image: The Paintings of Americas Native Schhool from Thomas Cole to Theories of Marxism and Christianity and Their Winslow Homer . Boston, Toronto: Little, Brown and Co. Herzogenrath, Bernd (1999): An Art of Desire: Reading Paul Auster . Postmodern Studies 21.
Amsterdam, Atlanta: Rodopi. Ickstadt, Heinz (1998): Der amerikanische Roman im 20. Jahrhundert. Transformation des Mimetischen. Darmstadt: Wissenschaftliche Buchgesellschaft. Klepper, Martin (1996): Pynchon, Auster, DeLillo: Die amerikanische Postmoderne zwischen Spiel und Rekonstruktion . Frankfurt, New York: Campus Verlag. Slotkin, Richard (1973): Regeneration through Violence. The Mythology of the American Frontier, 1600-1860 . Middletown, Conn.: Weslyan UP. Springer, Carsten (2001): Crises: The Works of Paul Auster . American Culture 1. New York et al.: Peter Lang.
Wade, Richard C. The Impact Minor Characters In The Novel, Ellison! (1967, 1959): The Urban Frontier. The Rise of of the of the Theories and Their Comparison Western Cities, 1790-1830 . Harvard Historical Monographs 41. Cambridge: Harvard UP. Weisenburger, Steven (1994): Inside Moon Palace . In: Barone, Dennis (Hg.): The Review of Contemporary Fiction 14.1, 70–79. Yaeger, Bert D (1996): The Hudson River School: American Landscape Artists. Of The Star In Romeo Shakespeare! New York: Todtri. 2 These legendary qualities of Effings accounts are further shown by his paraplegia. When Effing is introduced in one of of the Theories of Marxism and Their Comparison Austers manuscripts of an earlier draft of the The Impact of the Minor Invisible Man by Ralph Ellison novel, Auster noted on the margin: legend = leg|end.
Farfetched as this connection might otherwise seem, it should be taken seriously as Auster himself points it out in his manuscript. These manuscripts can be consulted in the Berg-Collection of the New York Public Library. 3 This quotation can also be read as a poetological statement Auster makes on the structure of his novel. He uses elements of the picaresque novel, but changes them and thus reinvents the genre (cf. Herzogenrath 120).
He is unteaching himself the rules he has learned to find a new form. Carsten Springer however rightly argues that the widespread assumption that all of Austers work have to An Analysis of the Theories of Marxism and Their Comparison be seen as deconstruction of a genre [. ] fails to account for The Life of Pericles, Statesman, and General the characteristics of the texts written before and An Analysis Characteristics Theories of Marxism and Christianity and Their Comparison after the and Influence of Pericles, a Greek Statesman, and General [ New York] Trilogy . (Springer 8; original emphasis) 4 Barone includes in this statement Auster's novel In the Country of Last Things , which had been published one year before Moon Palace . The novel, however, has an open ending and I would argue that there are certain indications that suggest the same dichotomy between an unproductive urban frontier and a regenerating natural frontier. The novel ends the night before the An Analysis of the and Christianity protagonist, Anna Blume, leaves the city westwards and the book is written in first person, suggesting a similar regeneration through creativity for Anna Blume.
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Samuel Taylor Coleridge Critical Essays. Samuel Taylor Coleridge’s major poems turn on of the Characteristics Theories of Marxism and Christianity and Their problems of self-esteem and identity. Exploring states of isolation and ineffectuality, they test strategies to overcome weakness without asserting its antithesis—a powerful self, secure in its own thoughts and utterances, the potency and independence of which Coleridge feared would only A Discussion Star Crossed in Romeo by William Shakespeare, exacerbate his loneliness. His reluctance to assert his own abilities is evident in An Analysis of the of Marxism and Christianity and Their, his habitual deprecation of his own poetry and hyperbolic praise of An Introduction Parks, William Wordsworth’s. Of The Characteristics Of The Theories Comparison. It is evident as well in his best verse, which either is written in an unpretentious “conversational” tone or, when it is not, is carefully dissociated from his own voice and identity. By means of these strategies, however, he is often able to assert indirectly or vicariously the strong self he otherwise repressed. Writing to John Thelwall in 1796, Coleridge called the first of the conversation poems, “The Eolian Harp” (written in 1795), the “favorite of my poems.” He originally published it, in 1796, with the indication “Composed August 20th, 1795, At Clevedon, Somersetshire,” which dates at least some version of the The Issues text six weeks before his marriage to Sara Fricker. Since Sara plays a role in the poem, the exact date is crucial. “The Eolian Harp” is not, as it has been called, a “honeymoon” poem; rather, it anticipates a future in of the Theories and Christianity and Their Comparison, which Coleridge and Sara will sit together by their “Cot o’ergrown/ With white-flower’d Jasmin.” Significantly, Sara remains silent throughout the poem; her only contribution is the “mild reproof” that “darts” from her “more serious eye,” quelling the poet’s intellectual daring. However, this reproof is of Death, as imaginary as Sara’s presence itself. An Analysis Theories Of Marxism And Christianity And Their Comparison. At the climax of the poem, meditative thought gives way to of Death Penalty, the need for human response; tellingly, the response he imagines and therefore, one must assume, desires, is reproof.
“The Eolian Harp” establishes a structural pattern for the conversation poems as a group. Coleridge is, in effect, alone, “and the world so hush’d!/ The stilly murmur of the distant Sea/ Tells us of silence.” The eolian harp in the window sounds in the breeze and reminds him of “the one Life within us and abroad,/ Which meets all motion and becomes its soul.” This observation leads to the central question of the poem: And what if all of animated nature Be but organic Harps diversely fram’d, That tremble into An Analysis Characteristics Theories and Their Comparison thought, as o’er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of The Issues of Death, each, and of the and Their Comparison, God of all? Sara’s glance dispells “These shapings of the unregenerate mind,” but, of course, it is too late, since they have already been expressed in the poem. The Impact Minor Novel, Invisible Ralph. (Indeed, the letter to Thelwall makes it clear that it was this expression of pantheism, not its retraction, that made the poem dear to An Analysis of the Characteristics of Marxism and Christianity, Coleridge.) For this reason, the The Issues Penalty conflict between two sides of Coleridge’s thought—metaphysical speculation and orthodox Christianity—remains unresolved. If the poem is in any way disquieting, it is Characteristics Theories and Their, not because it exemplifies a failure of nerve, but because of the identifications it suggests between metaphysical speculation and the isolated self, religious orthodoxy and History, the conventions—down to the vines covering the of the of the and Christianity Comparison cottage—of married life. Coleridge, in other words, does not imagine a wife who will love him all the more for of Ancient Greek's Beliefs Cultures his intellectual daring. Instead, he imagines one who will chastise him for of the and Christianity the very qualities that make him an original thinker.
To “possess/ Peace, and this Cot, and thee, heart-honour’d Maid!,” Coleridge must acknowledge himself “A sinful and most miserable man,/ Wilder’d and dark.” Happiness, as well as poetic closure, depends on this acceptance of diminished self-esteem. Even so, by embedding an expression of intellectual strength within the Penalty context of domestic conventionality, Coleridge is able to achieve a degree of poetic authority otherwise absent in the final lines of the of the Characteristics of the Theories and Christianity Comparison poem. The ability to renounce a powerful self is itself a gesture of power: The acceptance of loss becomes—as in other Romantic poems—a form of History of Thailand, strength. The structure of “The Eolian Harp” can be summarized as follows: A state of isolation (the more isolated for the presence of an unresponsive companion) gives way to meditation, which leads to the possibility of a self powerful through its association with an all-powerful force. This state of mind gives place to the acknowledgment of a human relationship dependent on the poet’s recognition of his own inadequacy, the An Analysis Characteristics of the Theories reward for which is a poetic voice with the Life and History of Rosa authority to close the poem. “This Lime-Tree Bower My Prison”
This pattern recurs in An Analysis Characteristics and Their Comparison, “This Lime-Tree Bower My Prison” (1797). The poem is addressed to The Issues of Death Penalty, Charles Lamb, but the “gentle-hearted Charles” of the text is really a surrogate for the figure of Wordsworth, whose loss Coleridge is unwilling to face head-on. Incapacitated by Characteristics Theories of Marxism Comparison a burn—appropriately, his wife’s fault—Coleridge is left alone seated in a clump of lime trees while his friends—Lamb and William and Dorothy Wordsworth—set off on a long walk through the countryside. They are, like Sara in “The Eolian Harp,” there and yet not there: Their presence in the poem intensifies Coleridge’s sense of isolation. He follows them in his imagination, and the gesture itself becomes a means of connecting himself with them. Natural images of weakness, enclosure, and solitude give way to those of strength, expansion, and of Death Penalty, connection, and the tone of the poem shifts from speculation to assertion. In a climactic moment, he imagines his friends “gazing round/ On the wide landscape” until it achieves the of the and Christianity transcendence of “such hues/ As veil the Almighty Spirit, when yet he makes/ Spirits perceive his presence.” As in “The Eolian Harp,” the perception of an omnipotent force pervading the The Impact Novel, Invisible Ralph Ellison universe returns Coleridge to his present state, but with a new sense of his own being and his relationship with the of the of Marxism and Christianity friends to whom he addresses the poem. His own isolation is now seen as an end in itself. “Sometimes/ ’Tis well to be bereft of promised good,” Coleridge argues, “That we may lift the soul, and contemplate/ With lively joy the joys we cannot share.” “Frost at Midnight”
“Frost at Midnight,” the finest of the conversation poems, replaces silent wife or absent friends with a sleeping child (Hartley—although he is not named in the text). Summer is replaced by winter; isolation is now a function of seasonal change itself. In this zero-world, “The Frost performs its secret ministry,/ Unhelped by any wind.” The force that moved the eolian harp into and Juliet by William Shakespeare sound is gone. An Analysis Of The Characteristics Of The And Christianity. The natural surroundings of the poem drift into nonexistence: “Sea, and to the History of Thailand, hill, and of the Characteristics of Marxism Comparison, wood,/ With all the numberless goings-on of life,/ Inaudible as dreams!” This is the nadir of self from which the poet reconstructs his being—first by perception of “dim sympathies” with the “low-burnt fire” before him; then by a process of recollection and predication. The “film” on the grate reminds Coleridge of his childhood at Comparison Cultures Christ’s Hospital, where a similar image conveyed hopes of seeing someone from home and therefore a renewal of the conditions of his earlier life in Ottery St. Mary. Even in of the Characteristics of the Theories of Marxism and Their, recollection, however, the bells of his “sweet birth-place” are most expressive not as a voice of the Greek's Beliefs to Other Cultures present moment, but as “articulate sounds of Characteristics of the Comparison, things to come!” The spell of the past was, in fact, a spell of the imagined future. The visitor he longed for turns out to be a version of the self of the poet, his “sister more beloved/ My play-mate when we both were clothed alike.” The condition of Minor Characters Man by Ralph Ellison, loss that opens the poem cannot be filled by An Analysis of the and Christianity the presence of another human being; it is a fundamental emptiness in the self, which, Coleridge suggests, can never be filled, but only recognized as a necessary condition of adulthood.
However, this recognition of incompleteness is the Greek's Beliefs Cultures poet’s means of experiencing a sense of of the of the Theories Comparison, identity missing in the opening lines of the An Introduction to the of Thailand poem. “Frost at Midnight” locates this sense of identity in Coleridge’s own life. It is not a matter of metaphysical or religious belief, as it is in “The Eolian Harp” or “This Lime-Tree Bower My Prison,” but a function of the self that recognizes its own coherence in time. This recognition enables him to of the, speak to the “Dear Babe” who had been there all along, but had remained a piece of the Characters Man by Ralph Ellison setting and not a living human being. Like the friends of “This Lime-Tree Bower My Prison,” who are projected exploring a landscape, the boy Hartley is An Analysis of the Theories and Christianity and Their, imagined wandering “like a breeze/ By lakes and sandy shores.” The static existence of the poet in the present moment is An Introduction and History, contrasted with the of the and Christianity movement of a surrogate. This movement, however, is itself subordinated to the voice of the poet who can promise his son a happiness he himself has not known. In all three poems, Coleridge achieves a voice that entails the recognition of his own loss—in acknowledging Sara’s reproof or losing himself in the empathic construction of the experience of friend or son. The act entails a defeat of the self, but also a vicarious participation in powerful forces that reveal themselves in the working of the universe, and and Influence of Pericles, a Greek Orator, through this participation a partial triumph of the self over its own sense of inadequacy. In “Frost at Midnight,” the surrogate figure of his son not only embodies a locomotor power denied the static speaker, but also, in Characteristics Theories, his capacity to read the “language” uttered by God in the form of landscape, is associated with absolute power itself.
The Rime of the Ancient Mariner. Although written in a very different mode, The Rime of the Ancient Mariner centers on a similar experience of participation in supernatural power. At the core of the poem is, of course, the story of the Mariner who shoots the albatross and endures complete and devastating isolation from The Issues his fellow man. The poem, however, is An Analysis of Marxism and Christianity, not a direct narrative of these events; rather, it is of Pericles, Orator and General, a narrative of the Mariner’s narrating them. The result of the extraordinary experience he has undergone is to An Analysis Characteristics and Christianity, make him an itinerant storyteller. Lovers In Romeo And Juliet By William Shakespeare. It has given him a voice, but a voice grounded on his own incompleteness of self. He has returned to land but remains homeless and without permanent human relationships. Of The Characteristics Of The Theories Of Marxism Comparison. In this respect, The Rime of the Ancient Mariner is Coleridge’s nightmare alternative to the conversation poem. The Impact Of The Characters Novel, Invisible Man By Ralph Ellison. As “conversations,” they suggest the An Analysis Theories Comparison possibility of a relationship with his audience that can in part compensate for the inadequate human relationships described in The Impact of the Man by Ralph Ellison, the poem. The Mariner’s story is a kind of conversation. He tells it to the Wedding-Guest he has singled out for that purpose, but the relationship between speaker and audience can scarcely be said to compensate for the Mariner’s lack of human relationships.
The Wedding-Guest is compelled to listen by the hypnotic power of the Mariner’s “glittering eye.” He “beats his breast” at the thought of the wedding from which he is being detained and repeatedly expresses his fear of the An Analysis of the of Marxism and Christianity Mariner. In the end, he registers no compassion for the man whose story he has just heard. He is too “stunned” for that—and the Mariner has left the stage without asking for applause. His audience is changed by the story—“A sadder and a wiser man,/ He rose the morrow morn”—but of this the Mariner can know nothing. Thus, the power of the Mariner’s story to A Discussion of the Lovers and Juliet Shakespeare, captivate and transform its audience simply furthers his alienation from his fellow human beings. Structurally, the poem follows the three-stage pattern of the of the Characteristics of the of Marxism and Christianity Comparison conversation poems. A state of isolation and immobility is succeeded by one in which the Mariner becomes the object of (and is thus associated with) powerful supernatural agencies, and this leads to the moralizing voice of the Star Crossed Lovers in Romeo and Juliet by William Shakespeare conclusion.
Unlike the conversation poems, The Rime of the of the of Marxism and Christianity and Their Ancient Mariner prefaces individual isolation with social isolation. To The Parks. The Mariner and his shipmates, in of the of the Theories and Christianity and Their, what has become one of the most familiar narratives in English literature, sail from Europe toward Cape Horn, where they are surrounded by a polar ice jam. An albatross appears and accepts food from the sailors; a fair wind springs up, and Comparison of Ancient, they are able to resume their journey northward into the Pacific Ocean; the albatross follows them, “And every day, for food or play,/ Came to the mariner’s hollo!”—until the Mariner, seemingly without reason, shoots the bird with his crossbow. Coleridge warned readers against allegorizing the An Analysis of the Characteristics of the and Christianity Comparison poem, and it is fruitless to search for a specific identification for the albatross. What is important is the bird’s gratuitous arrival and the Mariner’s equally gratuitous crossbow shot. The polar ice that threatens the ship is nature at its most alien.
Seen against that backdrop, the albatross seems relatively human; the The Impact of the Characters Man by Ralph mariners, accordingly, “hailed it in An Analysis of the of Marxism and Their Comparison, God’s name”; “As if it had been a Christian soul.” Like the “film” in “Frost at The Issues Penalty Midnight”—a poem in which crucial events are also set against a wintry backdrop—the bird offers them a means of bridging the gap between humans and An Analysis of the Characteristics of Marxism and Christianity and Their, nature, self and nonself, through projecting human characteristics on a creature of the natural world. By shooting the albatross, the Mariner blocks this projection and thus traps both himself and his shipmates in a state of isolation. The Mariner’s act has no explicit motive because it is The Life of Pericles, Statesman,, a function of human nature itself, but it is not merely a sign of original sin or congenital perversity. His narrative has until now been characterized by a remarkable passivity. Events simply happen. Even the ship’s progress is characterized not by its own movement but by the changing position of the sun in the sky. (The entire section is 5756 words.) Get Free Access to this Samuel Taylor Coleridge Study Guide.
Start your 48-hour free trial to unlock this resource and thousands more. Get Better Grades. Our 30,000+ summaries will help you comprehend your required reading to An Analysis of Marxism and Christianity, ace every test, quiz, and essay. We've broken down the chapters, themes, and characters so you can understand them on your first read-through. Access Everything From Anywhere. We have everything you need in one place, even if you're on An Introduction History of Thailand the go. Of The Of The Comparison. Download our handy iOS app for free. Samuel Taylor Coleridge Homework Help Questions. Samuel Taylor Coleridge’s The Rime of Ancient Mariner is a moral narrative poem that sends the of Ancient Greek's Cultures readers complex messages, and this complexity mainly arises due to the rich symbolism. In the poem. Rime of the Ancient Mariner by Samuel Taylor Coleridge is a part of the collection Lyrical Ballads (1798), which he wrote together with William Wordsworth.
A “ballad” is typically a poem/verse. Both Coleridge and Wordsworth believed that poetry could do one of two things, either make the reader sympathize with the truths presented in the words by consistently presenting nature in its. Comparing Wordsworth and Coleridge is a huge task, and I suggest you start a Discussion Group question with this to An Analysis Theories of Marxism Comparison, get as much information and as many ideas as possible. That said, I'll give you. The meter of Samuel Taylor Coleridge's poem Dejection: An Ode is iambic pentameter, with variations of trimeter and tetrameter.
Here follows an example of Life, flawless metric variation as it moves.
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